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  • Word Art + Gesture Art = Tone Art

    The Relationship Between the Vocal and the Instrumental in Different Arts

    Series series Literature, Cultural and Media Studies (R0)
    This book offers a truly interdisciplinary discussion on the relationship between the vocal and the instrumental in music and other arts and in everyday communication alike. Presenting an in-depth systematical and historical analysis of the evolution of word and gesture art, it gives extensive information on the anthropological, biological, and physiological influences and interactions in music ... Read more

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    Edited by Thomas Christensen ...
    Series series The Cambridge History of Music
    The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical ... Read more

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  • The Cambridge Companion to Arvo Pärt

    Edited by Andrew Shenton ...
    Series series Cambridge Companions to Music
    Arvo Pärt is one of the most influential and widely performed contemporary composers. Around 1976 he developed an innovative new compositional technique called 'tintinnabuli' (Latin for 'sounding bells'), which has had an extraordinary degree of success. It is frequently performed around the world, has been used in award-winning films, and pieces such as Für Alina and Spiegel im Siegel have become ... Read more

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  • Music as Thought

    Listening to the Symphony in the Age of Beethoven

    Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as "more pleasure than culture," and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from ... Read more

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  • New Music at Darmstadt

    Nono, Stockhausen, Cage, and Boulez

    by Martin Iddon ...
    Series series Music since 1900
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  • Composed Theatre

    Aesthetics, Practices, Processes

    A unique contribution to an emerging field, Composed Theatre explores musical strategies of organization as viable alternative means of organizing theatrical work. In addition to insightful essays by a stellar group of international contributors, this volume also includes interviews with important practitioners, shedding light on historical and theoretical aspects of composed theatre. ... Read more

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  • The Origins of Music

    by Carl Stumpf ...
    Translated by David Trippett ...
    The Origins of Music was first published in German in 1911. In this text Carl Stumpf set out a path-breaking hypothesis on the earliest musical sounds in human culture. Alongside his research in such diverse fields as classical philosophy, acoustics, and mathematics, Stumpf became one of the most influential psychologists of the late 19th century. He was the founding father of Gestalt psychology, ... Read more

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  • The Cambridge Companion to Schubert's ‘Winterreise'

    Series series Cambridge Companions to Music
    Organized in five parts, this Companion enhances understanding of Schubert's Winterreise by approaching it from multiple angles. Part I examines the political, cultural, and musical environments in which Winterreise was created. Part II focuses on the poet Wilhelm Müller, his 24-poem cycle Die Winterreise, and changes Schubert made to it in fashioning his musical setting. Part III illuminates ... Read more

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  • Reading Mahler

    German Culture and Jewish Identity in Fin-de-Siècle Vienna

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    Gustav Mahler's music is more popular than ever, yet few are aware of its roots in German literary and cultural history in general, and in fin-de-siècle Viennese culture in particular. Taking as its point of departure the many references to literature, philosophy, and the visual arts that Mahler uses to illustrate the meaning of his music, Reading Mahler helps audiences, critics, and those ... Read more

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  • Paul Hindemith

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    Series series Routledge Music Bibliographies
    Paul Hindemith: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a musician and teacher. The second edition includes research published since the publication of the first edition and provides ... Read more

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  • The Music of Mauricio Kagel

    by Björn Heile ...
    Mauricio Kagel was undoubtedly one of the major figures in the new music of the last fifty years. Growing up in the rich cultural atmosphere of Buenos Aires in the 1940s and '50s, where the writer Jorge Luis Borges was one of his teachers, he became a member of avant-garde circles as well as receiving a rigorous musical education. By 1957 Kagel had acted on the advice of Pierre Boulez to move to ... Read more

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  • German Lieder in the Nineteenth Century

    Edited by Rufus Hallmark ...
    Series series Routledge Studies in Musical Genres
    German Lieder in the Nineteenth-Century provides a detailed introduction to the German lied. Beginning with its origin in the literary and musical culture of Germany in the nineteenth-century, the book covers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources of lieder, the historical and conceptual issues of song cycles, and issues of musical ... Read more

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